The history of fashion design refers to the development of the fashion industry which designs clothing and accessories. The modern industry, based around firms or fashion houses run by individual designers, started in the 19th century with Charles Frederick Worth who was the first designer to have his label sewn into the garments that he created.
Couture beginnings. Rose Bertin (July 2, 1747 – September 22, 1813) was the dressmaker named bill to Marie Antoinette, Queen of France, and a high public profile. Sometimes called sarcastically the “Minister of Fashion”, she opened a shop in Paris and had a considerable influence on Parisian style, until this was drastically changed by the French Revolution, from which she fled into exile in London for some years.
An outsider to the French Court, Marie Antoinette relied on Bertin’s meticulous designs to help her “to combat her enemies with style”. Marie Antoinette’s unique fashion preferences such as masculine riding breeches or simple muslin shift dressed, contrasted sharply with her elaborate gowns as the Queen attempted to create a persona that would allow the citizens of France to connect with her and her lifestyle. Although Marie Antoinette’s attempts were largely unsuccessful, the ways Bertin helped the Queen articulate herself through fashion were groundbreaking and set a precedent for monarchs who followed. 
An Englishman living in Paris, Charles Frederick Worth (1825 – 1905) is usually seen as the first designer in something like the modern sense, with a large business employing many largely anonymous tailors and seamstresses. A former draper, Worth’s success was such that he was able to dictate what they should wear to his customers. Launched into the spotlight as the Empress Eugénie’s primary designer, Worth used his royal connections to gain recognition and clients. The proclamation on February 1, 1853 by Napolón III that no visitors would be received to his court without formal dress meant that the popularity of Worth-style gowns was overwhelming. Ornately decorated and constructed from the finest materials, Worth’s gowns are well known for their crinolines (cage-like metal structures that held the dress out in a stylish shape. Throughout the early 20th century, practically all high fashion originated in Paris and to a lesser extent London. Fashion magazines from other countries sent editors to the Paris fashion shows. Department stores sent buyers to the Paris shows, where they purchased garments to copy (and openly stole the style lines and trim details of others). Both made-to-measure salons and ready-to-wear departments featured the latest Paris trends, adapted to the stores’ assumptions about the lifestyles and pocket books of their targeted customers.
At this time in history the division between haute couture and ready-to-wear was not sharply defined. The two separate modes of production were still far from being competitors and they often co-existed in houses where the seamstresses moved freely between made-to-measure and ready-made.
Around the start of the 20th century fashion magazines began to include photographs and became even more influential. Throughout the world these magazines were greatly sought-after and had a profound effect on public taste. Talented illustrators – among them Paul Iribe, Georges Lepape, Erté, and George Barbier – drew attractive fashion plates for these publications, which covered the most recent developments in fashion and beauty. Perhaps the most famous of these magazines was La Gazette du Bon Ton which was founded in 1912 by Lucien Vogel and regularly published until 1925.